tag:blogger.com,1999:blog-7449747175255805372024-03-18T12:05:29.987+01:00Tres monosUn blog de blogs: Klásica, Bichos, DeltaAlbertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.comBlogger652125tag:blogger.com,1999:blog-744974717525580537.post-36732115533748851542024-03-18T11:25:00.003+01:002024-03-18T11:37:25.242+01:00Tres citas y dos bestias<div class="separator"><b style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="229" data-original-width="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRZEB5zhm3Mla9mCz06BJLD5XGVoTgdXajx7J3rB22sUmmr_ayX98ctNaDURa1uPFjS5HojHHzr9PygG22sJ-OQFaBi0tjM3MlQpZoRjdVwokLenXunoj2z-cTmv2FqAEwVwWrjgYEpWv39wL-tX4q36HIjmXstkMCnUsMLgpDj0RKLswlm_Hg9KLn8Ee6/s16000/joyce.jpg" /></b></div><p></p><p></p>Tenemos tres nuevas citas literarias: de <a href="https://www.epsilones.com/paginas/literatura/literatura-127-joyce-infierno.html" target="_blank"><b>Joyce</b></a>, de <a href="https://www.epsilones.com/paginas/literatura/literatura-128-bulgakov-binomio.html" target="_blank"><b>Bulgakov</b> </a>y de <a href="https://www.epsilones.com/paginas/literatura/literatura-129-kleist.html" target="_blank"><b>von Kleist</b></a>.<br /><br />A raíz de ellas surgen dos nuevas bestias para el Bestiario: el necesario <a href="https://www.epsilones.com/paginas/0-bestiario/bestiario-binomionewton.html" target="_blank"><b>binomio de Newton</b></a> <b style="clear: right; display: inline; float: right; margin-bottom: 1em; margin-left: 1em;"><br /></b>y la siempre interesante y sugerente forma del infinito que es la <a href="https://www.epsilones.com/paginas/0-bestiario/bestiario-eternidad.html" target="_blank"><b>eternidad</b></a>.<div><br /></div><div><br /></div><div><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjRZEB5zhm3Mla9mCz06BJLD5XGVoTgdXajx7J3rB22sUmmr_ayX98ctNaDURa1uPFjS5HojHHzr9PygG22sJ-OQFaBi0tjM3MlQpZoRjdVwokLenXunoj2z-cTmv2FqAEwVwWrjgYEpWv39wL-tX4q36HIjmXstkMCnUsMLgpDj0RKLswlm_Hg9KLn8Ee6/s229/joyce.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinBOYdwhIjpn_AcgV113lcTh4yOamkAzbB7doA57TfH1uSnWemoRCXk4hou2JS5lclqAXTuiqTnJzY88dz4HPYAZpisjfSq_Q14UVjZTqscYvJesH7wcTUuXo4ykETe4YvBwSI-OVvizLZ63YD9i7JgJH_xOO8Wd5rZOtsSlVFl7M62ZMnRCs3d6crUb5u/s252/bulgakov.jpg" style="clear: right; display: inline; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="252" data-original-width="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinBOYdwhIjpn_AcgV113lcTh4yOamkAzbB7doA57TfH1uSnWemoRCXk4hou2JS5lclqAXTuiqTnJzY88dz4HPYAZpisjfSq_Q14UVjZTqscYvJesH7wcTUuXo4ykETe4YvBwSI-OVvizLZ63YD9i7JgJH_xOO8Wd5rZOtsSlVFl7M62ZMnRCs3d6crUb5u/s16000/bulgakov.jpg" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZYIsJPs2mP6BS2bQRpr3LipwMn6VD5Tp0vOCbQi7FLSfUpPwxzhi-flLq-OX7Njtu3P-hku-raEZWkLoUIiu8VZPyTWgy9Maz5_qZ871VGJXo1DTm2cMxKt5iF2xR59JyvdZAiHNQd3jHjK2ZAHNZ4DqMIcDkwcmnZL_KgqwPde3WUdQpeNjvpioJw2uF/s254/vonkleist.jpg" style="clear: right; display: inline; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="254" data-original-width="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjZYIsJPs2mP6BS2bQRpr3LipwMn6VD5Tp0vOCbQi7FLSfUpPwxzhi-flLq-OX7Njtu3P-hku-raEZWkLoUIiu8VZPyTWgy9Maz5_qZ871VGJXo1DTm2cMxKt5iF2xR59JyvdZAiHNQd3jHjK2ZAHNZ4DqMIcDkwcmnZL_KgqwPde3WUdQpeNjvpioJw2uF/s16000/vonkleist.jpg" /></a></p></div><div><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEinBOYdwhIjpn_AcgV113lcTh4yOamkAzbB7doA57TfH1uSnWemoRCXk4hou2JS5lclqAXTuiqTnJzY88dz4HPYAZpisjfSq_Q14UVjZTqscYvJesH7wcTUuXo4ykETe4YvBwSI-OVvizLZ63YD9i7JgJH_xOO8Wd5rZOtsSlVFl7M62ZMnRCs3d6crUb5u/s252/bulgakov.jpg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"></a><br /></p></div>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-20601205751375987842024-03-16T09:51:00.004+01:002024-03-16T09:51:23.379+01:00Olivier Messiaen. Cuarteto para el fin de los tiempos (1940)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/03/olivier-messiaen-cuarteto-para-el-fin.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="630" data-original-width="1133" height="223" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjc7vduxyGl5ap4L5TGx3RVIbVvTVlGWgzmyPDkwuSnMPgQCWWZ5bV4Uo4ytB5Igb6U3gfbRZyYgbexNd8WQ1MDwHfY2VjiPB7of4ZI3LmJwbnE2qad_O_uJshCK-FnUQ3KnvuOVsXki_Uu3UF2rADvcujlBA0PYNQYtsVGdwKDyPZt9AHy90YPnn2LtdA/w400-h223/britten.jpg" width="400" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-73911346854228264332024-03-15T10:49:00.009+01:002024-03-18T10:56:52.624+01:00Mantenimiento<p>El Departamento de Mantenimiento de Epsilones deja bastante que desear: con el tiempo los enlaces a los vídeos se pierden, los tipos de archivo quedan obsoletos y nadie parece darse cuenta, así que me he tenido que remangar y poner un poco de orden. Si no me equivoco, ahora mismo todos <a href="https://www.epsilones.com/paginas/0-visual/videos-000-visual.html" target="_blank">los enlaces a vídeos</a> enseñan algo... </p><p>Lo más interesante desde mi parcial punto de vista es que he recuperado para la causa unas animaciones que hice con <a href="https://www.epsilones.com/paginas/fractales/fractales-004-0-julia.html" target="_blank">conjuntos de Julia </a>hace ya muchos años. Estaban en formato <i>swf </i>y las he pasado a <i>mp4</i>. </p><p>Lo más triste es la sensación de obsolescencia inevitable de todo. </p><div class="separator" style="clear: both; text-align: center;"><a href="https://www.epsilones.com/paginas/fractales/fractales-004-0-julia.html" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="150" data-original-width="201" height="239" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg964_vo_AbtUoDxQiMb8U7PPbQaHsswx4lFpzwwAMLFc9Iib-iqf0_5XPduT8zJjS2BukNH9aW4mQLUUAvmBJrDqiPFHmkYZp6Q6t45Qz_XLB3GbV283ykILBr3br-ZY0B2yBcaWwjT2FlmJguOgVLuCXWe1TjZVHxcIOj2RDEB13z0TRVGpjKNhHrIXht/w320-h239/image2-cuello-m.gif" width="320" /></a></div><br /><p>Nota: pese a su ineficacia, nadie ha sido despedido del Departamento de Mantenimiento. </p><p><br /></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-49384201243617863342024-03-12T11:32:00.001+01:002024-03-18T11:34:02.316+01:00Pito real ibérico (Picus sharpei)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://bichosdevaldemorillo.blogspot.com/2024/03/pito-real-iberico-picus-sharpei.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1090" data-original-width="1710" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjqUjcqzD0ID5sDMZ4FyXaBBtzv1le2aiEeI9Zj4tdSC7hke2v2kfcN71IXNCE67BFDDfCM9OVlR0b7yjLl8Q5-qqMn9y-u5wmjn7_2JHmt80sx_BrCtrSXlY9cEXpFiTneFv1QG9Um0IKPOUI65wHoKSWv2tJt16b5CBhj_UpMmP28rs4R3NiCNxSgVB0/w400-h255/pito1.jpg" width="400" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-44661061299726964682024-03-12T11:30:00.004+01:002024-03-18T11:32:11.987+01:00Ganso del Nilo (Alopochen aegyptiaca)<p></p><div style="text-align: center;"> <a href="https://bichosdevaldemorillo.blogspot.com/2024/03/ganso-del-nilo-alopochen-aegyptiaca.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;" target="_blank"><img border="0" data-original-height="2485" data-original-width="2075" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi_fVELJ_0co_bJNg3jziDP3VqgjAqgG7EDVq5J9X7FL4iQt3no-K_Ts5w_5yClDTqrTc1X4JmljLwi5QMQ6HWPYNVXAk8mYtraQj6tDt3lvF_C8nrayRTjiJlAcxROB9_If8J3IN1erIlehdgGEAkZtc1-06Jf65YcAicJfiXFBlBRPbU2KERKensHUc/w334-h400/gansonilo-parquetierno.jpg" width="334" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-647928454333097482024-03-09T07:58:00.002+01:002024-03-09T07:58:09.159+01:00Gustav Mahler. Sinfonía n.º 5. IV. Adagietto (1902)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/03/l-gustav-mahler-sinfonia-n-5-iv.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="532" data-original-width="1280" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgcSITeAYoI1-EX2RwnHDspw_BmAgFObJ-AK75ssBHAsbI3lNaBur1zfWsZAlbR9e-FzjxXx2Ccqr3T00JWfZMc9h8nCXd4Yt4HjxsJNC4P-rzkF1xgDi10YYrC2VkZnasr7BlNDMjRaWun8PJLVHCi2q2y-NZhPpoifQ1RjRU__D8fmRFOmOLMG_MTmQ0/w400-h166/35-milimetros-muerte-venecia-2.jpg" width="400" /></a></div><br /> <p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-62599858925817456292024-03-02T09:15:00.013+01:002024-03-02T09:22:49.176+01:00Arnold Schönberg. Pierrot Lunaire (1912)<div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/03/arnold-schonberg-pierrot-lunaire-1912.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="632" data-original-width="1129" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm0kSko5QQtvfjaVdSle34BfJ0Yz69soQIAKeHIXWB57ERTPCLzgs3LlleWuCJ8kH1kgdOdjZn5ZCkL_MqDevOkUyjyUi-3T-YmWBFYS4dBl1waO0P1IFBDakEhwZDoBJzNobd1oXajptky82eV59lauxMn_SG_RMHM-RGeP2B_hU2mCRulK-3P-UyMqg/w400-h224/pierrot.jpg" width="400" /></a></div><br /><div class="separator" style="clear: both; text-align: center;"><br /></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-87166889063464522582024-02-24T10:04:00.003+01:002024-02-24T10:04:26.573+01:00Conlon Nancarrow. Estudio n.º 7 (Entre 1952 y 1960 - 1998)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/02/conlon-nancarrow-estudio-n-7-entre-1952.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="679" data-original-width="933" height="317" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhCkEn-W_DjeNIF93RisrVdmswf6Im2t6HGXrKqBlVGYbrdp-j5YuavPx-2fr3AYYP1m8ooRSWg1JEYSIy9s2WQQqlKEte7ARWFY5kL5G6knyX0hUJLO0ubJ_I6sYy18JM7_Bn-J_Bf5DhtEHRThFckCVLQ_2I452BQ2BeXFJHbpNhIE_gqOUrJPhpSVZs/w435-h317/pianola.jpg" width="435" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-70020238376817023202024-02-17T08:46:00.003+01:002024-02-17T08:46:17.886+01:00Witold Lutosławski. Concierto para violonchelo (1970)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/02/witold-lutosawski-concierto-para.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="613" data-original-width="649" height="378" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhHc_NP26FGMK2wSpUFHR9bCjLA-UBLN8HnkmacCOQzZBqs7i34ZLvHi1mOmvL7hRVwGQgQQO6w5Bu5TybmaP8u_1UkE17Tmp_S-nD2ofSfaZvlPUzUtkeeb2cMIf1kdnIpHJS7iAOlc3_9KeU_Cw0NyZtgxqIhkMyi9vob8FCMXK4U1MynvG5f9j3Ev8E/w400-h378/lutos.jpg" width="400" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-81018052831953569242024-02-09T11:13:00.002+01:002024-02-09T11:13:45.626+01:00Joly Braga Santos. Suite de Danças (1984)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/02/joly-braga-santos-suite-de-dancas-1984.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="629" data-original-width="1137" height="221" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgLGAiwVqVQlOfc8s32hickeUAxo-_xmhL3i5f5T2kW8KGsR3WTU8spmXSqm6HmKj7Jcbnzwzj0CNWxJAJqlfroqtrc6bZMYox2uECCdV_aclg2XYyA2La4RH_-aTkrN4iCM3ILm_1OLviyKkfghky2ypMFytrzmcszNHIOKrrxQRGBB6khWgNe-kaQUOw/w400-h221/braga.jpg" width="400" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-78251344968710459462024-02-03T10:30:00.000+01:002024-02-03T10:30:00.847+01:00Jehan Alain. Le jardin suspendu. Fantasmagorie. Litanies (1934-1935-1937)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/02/jehan-alain-le-jardin-suspendu.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="432" data-original-width="320" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVd3B2v8hebdSrfkTRx3rjuLSVnca-ScvguFFu2S16U-1xSXNpN5jYCZWacZ6UZxA6DgSKv7Vryj8n2eJsKFQobhmJP8mTMsR-FBL2hKRgJT6Y8bZIk5D2-_6Mt545KN0JUlGKqUv4L55sGaQu8zfNXwVT4YnQO2Y1c8IRhXeAIE7dfh4xoCJYWmwSo9c/w296-h400/Jehan_Alain_1938.jpg" width="296" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-15109814950230163522024-01-27T05:59:00.003+01:002024-01-27T05:59:58.669+01:00Hans Werner Henze. Concierto para piano n.º 2 (1967)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/01/hans-werner-henze-concierto-para-piano.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="800" data-original-width="572" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEimN67hQDfDq2nVa1JaQrDU2kqVl0KCWqMvimFifzB2wgNKLfaH10QLpHcynyHXvkZsgVjvzQXZO71ytq_XxYocv0EZpHcWA7iXVKqRjYD7AR51mzqZV_x5Ql70JURnK7fUfX1rlJD0ENI4lkeFVjWqkF5UkTFTeMQNzSm2mYm5HDLODTD0HFqmyy-Edjg/w286-h400/henze.jpg" width="286" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-89902959694037864962024-01-24T11:24:00.004+01:002024-01-24T11:24:30.226+01:00Arquitectura: pechinas<p></p><div class="separator" style="clear: both; text-align: left;">Para pasar de la planta cuadrada de un crucero a la base circular de una cúpula semiesférica necesitamos algo que haga la transición: las pechinas. </div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.geogebra.org/m/rndxskhn" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="765" data-original-width="717" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2xe3uPQwQtEjBfp_yksYVXG6y9A-8FZjHte2gVsEHDT6AVbsVs8rTxQgXwpx6XpJEzfF4b5A_BlgxfgvC5F235T0wCa1vJ8eUV4i34KYR_e7o-vssNKeIdHL1iKZRXZ13-QPFwNun-EifPVDPC8ZqmABB7530TWK84uQ9bzYuZMaLTYVeLR-PlACS_cow/w375-h400/pechina-g.jpg" width="375" /></a></div><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-16757817380891391182024-01-20T10:59:00.006+01:002024-01-20T10:59:59.525+01:00Edward Elgar. Variaciones Enigma (1899)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/01/edward-elgar-variaciones-enigma-1899.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="768" data-original-width="1024" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgpkyWIfYhg1fQalSSGnnkm5n6KYsc80sV-OpyEJzZFgK4linsnW6MgoVk7cAfCFhFDGGxar-yBMdjCyZHLBul8pab5btAtzJdf87LtWfyzCSAkXkMXZsfeUzcEmVA_eCBmtY4eW35QtdXuMvkvEKc2WY9GsSvh5ZPU_6vKK8oVwVdxNOjjfEVY3a-reOc/w400-h300/elgar_enigma-1440.jpg" width="400" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-53922825452786978072024-01-19T10:34:00.006+01:002024-01-19T10:38:32.110+01:00El poliedro melancólico (Kiefer)<b>Anselm Kiefer </b>elige como símbolo el poliedro que <b>Duero </b>grabara en su obra <i>Melencolia I </i>y lo utiliza para hablarnos precisamente de la melancolía en distintos contextos. <div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://www.epsilones.com/paginas/artes/artes-170-melancolia.html" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1024" data-original-width="768" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjjTauayY9tXcMs8tIfsalMZO6W39F3ySVB-ugHv414q9jV149bopCHpDnKZMl3cyYjgf5FpjQIx45lfPRgmaao6_jaagMJ-qcq9yt41E9ou2fmm53IeX4Pex0x7YZbjyHU6cQ1sKqOZJ-Q_e08AvCxZAKiq_T21wz21QA4qApO7rkfZTTxGxHvQcPvYGvz/w300-h400/170-Anselm%20Kiefer,%20Hipatia-g.jpg" width="300" /></a></div><br /><div><br /></div><div><br /></div>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-46731395882821259372024-01-13T20:34:00.005+01:002024-01-13T20:34:55.507+01:00Karlheinz Stockhausen. Zeitmaße (1956)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/01/karlheinz-stockhausen-zeitmae-1956.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="556" data-original-width="753" height="295" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjq-1gzoIvGP7LTG5xb7aMsXBMTJqAzMN5IHgJADCWa9yGVd50zXcVEhVwGFLe9xfjL2oQng5GVuttbpmm2nrPTp0SRKXm8HE2zww83q4NDXkFa9uIIYcBho_OUw1moKs-Wzo9xx0HdTRqmiGOUjK3g8YdH_t_2os5rBChdK9G4i84ac8ATsjbsLEkduW0/w400-h295/Zeitmasze%20cap.jpg" width="400" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-15488449157914440722024-01-07T11:24:00.000+01:002024-01-07T11:24:01.704+01:00Bohuslav Martinů. Doble concierto para dos orquestas de cuerda, piano y timbales (1938)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2024/01/bohuslav-martinu-doble-concierto-para.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="168" data-original-width="300" height="224" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjFVl2paS-gF5NXvxiwOOx8k0jq8qzliejPbsIRQ3-f0je9Wi7ktJh_r7X0MIF1wczxIelYGaADkuMGXF7u8Lh-6o-K12WgzxokcHvRv7Pa-Owy0UaZ48uSF6QxJXlrqHb4I7GyVKbw69rQyM4fCtlasuJqoKZnRqc7BH03Q6VM9ref6UocDje58tVVarQ/w400-h224/images.jpeg" width="400" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-21166534568147690562023-12-29T11:27:00.001+01:002023-12-29T11:27:02.715+01:00Carmelo Bernaola. Sinfonía n.º 2 (1980)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2023/12/carmelo-bernaola-sinfonia-n-2-1980.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="981" data-original-width="1167" height="336" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjm4voEj4960IQT4w9tcTEATU-ti5qrDVKwgnQLQdXcMofUHPPz_5vo3Ish8QmKe8xD3gMJCXPD6rWHcWnWwjt7bUTF9TixtzbGZBWTErRcnmYLG6BkqszseEBEQA-Q7HKuVUSsJccntplY1789RYx2MY6kElOAtKEZcZI1joMMO1puRdsXlkYVkzn1tzI/w400-h336/bernaola.jpg" width="400" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-46380248919384274802023-12-17T11:22:00.003+01:002023-12-17T11:22:21.520+01:00Cristóbal Halffter. Concierto a cuatro. Concierto para cuatro saxofones y orquesta (1991)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2023/12/cristobal-halffter-concierto-cuatro.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1024" data-original-width="682" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi4sXjbPKkjoCuH5-CzEbLIA_-_qHj6_PArNHts_pEa0wWk-w0ZNAPoqsHFW4A21SXo5oo3Iz_f0kmt22S4VvePdAJlkDmqVQRMtGt-JDz9BeRSPIohMNLSKfgfcYDVTk0kKcnMNXCiWNdlG6cIuoc4StHBdYwoTk909Y-ivnFuGgZBeAe8WnsJ3AzsnKQ/w266-h400/half.jpg" width="266" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-78858177937344564652023-12-10T08:58:00.003+01:002023-12-10T08:58:24.717+01:00Joan Guinjoan. Trama (1975-1982)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2023/12/joan-guinjoan-trama-1975-1982.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="500" data-original-width="498" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3EFviD7rZ_O2FDG1vIe_zEySlJNTNhoyjxpxfnbXW6CBSfTmBDmUFUnKI82VsGFz8a2_kQKW3VvxjNJFFxm2A1GxF_2kQzcEuHY5KuRQsc3MyX-QUhkRrOWv0qumtbBiCGhkWeJBD6EaPGlJeFzMLP57-pIwvnGxBdVqQIlZfJFD6g8j5Ny8quGbF7do/w399-h400/trama.jpg" width="399" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-78058575645001314062023-12-03T17:45:00.004+01:002023-12-03T17:47:13.548+01:00Roger Reynolds. Whispers Out of Time (1984)<div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2023/12/roger-reynolds-whispers-out-of-time-1984.html" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="894" data-original-width="894" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgmWl85fi5G2LgsY09UMU751cVdhba8vyVLBzkzLdJv39NfNRGuiFaZNSbEoHeao5tFSZNc1LlG9jxf9m5vSV8ed5Cej9GkrUp_VZbAEBVxGYdxLdOmK8hYzNL7ImxXUPf0B3QLS0nrzGdWOP3-rzD37KUst1Emm3vxydFtcQwDuZT4xWHozw8kGCw3ZIM/w400-h400/whisper.jpg" width="400" /></a></div>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-52030074762765715392023-11-26T09:07:00.005+01:002023-11-26T09:07:48.966+01:00Pēteris Vasks. Concierto n.º 2 para violonchelo y orquesta de cuerda. "Klātbūtne" Allegro moderato (2012)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2023/11/peteris-vasks-concierto-n-2-para.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="600" data-original-width="600" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgT4GMDNse_XfZQ5lVRvyFXWfLMbhW6W7jVyS-NygjK88Sj8219bqUFWermJRKseoK3IHxgcQ7RJjSpalekXlyKWOELRe0XIKqpf4kh8zIFuIx9lrTGhmZUQR6R_k4rhiqqNf0q0IKKs1ycYZTHaTjU47P-maPya7yqza9FZEfEtaz5gvh-5YuYy8u1QdQ/w400-h400/sol.jpg" width="400" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-49256779047607208462023-11-18T10:44:00.003+01:002023-11-18T10:44:36.356+01:00James Tenney. Chromatic canon (1983)<p> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2023/11/james-tenney-chromatic-canon-1983.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="300" data-original-width="299" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEieau0qdxp-bMJs2N_WjoRH0fbBzqzLc7mI-44Y43NnJRWFxNyxRezhVAwRRNKxTCGeousUmPBHmuXmXmfC2m6l6mM8ryhBuuG-KMyN6ED7aH3q_R_QJxRKlUTRXKmTqNQ8Df9T3h2NSDiKJIfGhj3sFMMisJd9fKLq7wUCj4oc7RUhEeRLnv6QX-FdGDk/w399-h400/chromatic.jpg" width="399" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-59645388460762956862023-11-13T12:23:00.002+01:002023-11-13T12:23:34.640+01:00Michael Nyman. An Eye for Optical Theory (The Draughtsman's Contract) (1982)<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2023/11/michael-nyman-eye-for-optical-theory.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="1200" data-original-width="630" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiI1Nx3gofy1FqQEqObIVrTClcxDuHv8IaaZeiV-NKtO0SXRE4LtJ9m4TpgdwownzKJANmBfUOeNvM9aB7m-Mg4eSKJ-OLEwOijioemtlT6V-WfylumlIYKeuQEnKedpfXWfCs9Zf3fERo2df4Wqf5VwKBEUUIxPtn2HmYKJjEQ0daSrWGEC8Wi1ns3o2w/w210-h400/dibujante.jpg" width="210" /></a></div><br /> <p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0tag:blogger.com,1999:blog-744974717525580537.post-4869495058449473202023-11-04T10:15:00.001+01:002023-11-04T10:15:24.974+01:00James Dillon. Viriditas (Nine Rivers 3) (1993-1994) La Femme invisible (Nine Rivers 4) (1989) <p style="text-align: center;"> </p><div class="separator" style="clear: both; text-align: center;"><a href="https://musicaklasica.blogspot.com/2023/11/james-dillon-viriditas-nine-rivers-3.html" imageanchor="1" style="margin-left: 1em; margin-right: 1em;" target="_blank"><img border="0" data-original-height="500" data-original-width="354" height="400" src="http://5against4.com/images/concerts/jamesdillon_ninerivers.jpg" width="283" /></a></div><br /><p></p>Albertohttp://www.blogger.com/profile/08681863791049652210noreply@blogger.com0